Jo Schmeiser explores the interfaces of art, film, theory and politics. Focusing on issues including racism, sexism and anti-Semitism, and reflecting critically on their form and structure, she often works collectively. Films: Widerstandsmomente / Moments of Resistance (Plaesion Film: 2019), Liebe Geschichte / Love History (Klub Zwei: 2010). Publications: Conzepte. New Versions of Political Thought (zaglossus: 2015).
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