In the Beginning Was the Eye

The camera acts as a winking eye spying into a poet´s workroom. Books are stacked to the ceiling, and the poet moves agilely between typewriters and shelves, leafs through books or, like Alice, enters a looking-glass. Bodo Hell cuts a restless figure, a man of the word setting off on a journey into the images - or behind them.
Dominated by its artificial gaze from the very beginning, this film becomes even more technically complex in its middle: In a rhythmic montage, innumerable postcard motifs rain down upon the viewer, which the protagonist then enters as if they were real landscapes.

(Dominik Kamalzadeh, Der Standard, Vienna)


Bady Minck re-evaluates irreverent worlds of images in the form of thousands of postcards whose ardently kitschy views of Austria are re-animated by the avant-garde filmmaker. Her cinematic narrative of a poet´s search for images provides the framework for a critical reconquest of an idyllic Alpine landscape. Using breathtaking montage work and elaborate film technology, Bady Minck penetrates deep into the sultry colour of the postcards without succumbing to their camped-up charms.

(Daniel Kothenschulte, Frankfurter Rundschau)


In Minck´s race of word against image, the image is the obvious winner: Single frame shots, dissolves and language employed as a musical element in a fast-paced composition of words and images are combined to create a film which goes against conventions and expectations. In the Beginning Was the Eye is a film about story-telling and remembering, the volatility of language and images, and about the tricks played on us by our senses - a philosophical consideration of reproduction and reality, identity, nature and civilization.

(Irmgard Schmidmaier, d´Land, Luxembourg)


A poet in his refuge, surrounded by books and notes, at the mercy of words. A mountain range forms on the empty pages of a book, inviting the poet and us on a journey through the countryside, its history revealed to be a series of innumerable postcards, one fading to the next. The viewer-traveller himself becomes part of this spatial composition. At the end his own image is all that remains: two-dimensional and at the mercy of a nature which has radically withdrawn from the observer as a view.

(Robert Buchschwenter)


The film creates a typology of movement which talks from the very heart of the cinema multiple exposures, single frame techniques, time-lapse and slow motion have assumed an anomalous role that functions in ways completely contrary to standardized expectations and habits of seeing. The principle of filmic movement is changed by remarkable images which have never been seen before.

(Marc Ries)

--> watch trailer on youtube

--> www.badyminck.com

Trailer
Orig. Title
Im Anfang war der Blick
Year
2003
Countries
Austria, Luxembourg
Duration
45 min
Director
Bady Minck
Category
Avantgarde/Arts
Orig. Language
german
Subtitles
english, french
Credits
Director
Bady Minck
Cinematography
Jerzy Palacz, Martin Putz, Martin Gschlacht
Music
Dr. Nachtstrom, Bernhard Fleischmann
Editing
Anne Schroeder, Frédéric Fichefet
Sound Design
Frédéric Fichefet
Text Author
Ernst Jandl, Bodo Hell, Friedericke Mayröcker
Actor/Actress
Bodo Hell
Production
Minotaurus Film, Garabet Film, Amour Fou Filmproduktion, Alexander Dumreicher-Ivanceanu, Oikodrom
Supervisor
Roswitha Katter, Sigrid Günther, Helmut Hiess
Supported by
bm:bwk, BKA. Kunst, ORF, Land Salzburg, Stadt Salzburg , Niederösterreich Kultur, Wien Kultur, Filmfund Luxembourg, BM:LF
Available Formats
35 mm (Distribution Copy)
Aspect Ratio
1:1,66
Sound Format
Dolby Surround
Frame Rate
24 fps
Color Format
colour
Digital File (prores, h264)
DCP 2K flat (Distribution Copy)
Aspect Ratio
1:1,66
Sound Format
5.1 surround
Frame Rate
24 fps
Color Format
colour
Festivals (Selection)
2003
Pesaro - Film Festival (Il premio CinemAvvenireAward for the Cinema of the Future / Prix du cinéma de l'avenirStatement of the Jury:"Per la suggestiva ipotesi d'indagine del paesaggio culturale; per la capacità di dar forma cinematografica ad uno sguardo sul mondo.")
Montréal - Festival International du Nouveau Film et de la Video
Kassel - Dokumentarfilm- & Videofest
Sao Paulo - Short Film Festival
Olympia - Film Festival
Austin - Cinetexas - Int. short film&video&new media festival
Vila do Conde - Festival Internacional de Curtas-Metragens
Melbourne - Int. Film Festival
Brisbane - Int. Film Festival
Graz - Diagonale, Festival des Österreichischen Films
Teplice - Int. Art Film Festival Trencianske
Athens - Film Festival
Cannes - Festival de Cannes
Karlovy Vary - Int. Film Festival
Jerusalem - Film Festival
Luzern - VIPER - Int. Film-,Video-& Multimedia-Festival
Neubrandenburg - dokumentART
Leeds - Int. FilmFestival
Freistadt - Festival Der Neue Heimatfilm
2004
Szolnok - Intern. Festival for Fine Arts (Special Mention of the Jury)
Stuttgart - Int. Trickfilm-Festival
Ann Arbor - Film Festival
Denver - Int. Film Festival
Buenos Aires Festival Int. de Cine Independiente BAFICI
2005
Roma - Art Doc Fest (InnovativoAward for the Most Innovative DocumentaryStatement of the Jury:"Animation, editing, installation and reconstruction of a phantasmagorical set: a 44-minute experiment of different languages used in a captivating and conceptual operation.")
Pieve di Cadore - Open Air Film Festival
Trento - Montagne-Esplorazione-Avventura Film Festival (Special Mention)
2009
Freistadt - Festival Der Neue Heimatfilm