Mirror Mechanics

The film as a mirror and, as a further consequence, the phenomenon of identification primarily inherent in feature films, condense to a type of essence of film´s potential. This film reports on cinema and the processes within it. In doing so, it doesn´t reveal any secrets, but instead, attempts to transfer – in the sense of seeing what we see – what we do in the cinema and what also can be relevant outside of film into a visually stimulating and captivating event.

(Siegfried A. Fruhauf)


The mirror is an instrument of deception. It can never correspond with the images presented to it, although it can reverse them, twist them into their antitheses: into counter images. It is no wonder that right from the start, the mirror has been one of the favorite accessories of melodramatic and avant-garde cinema. The mirror image´s imaginary lack of physical body sums up the idea of the cinematic: illusion, shadow, projection.
In Mirror Mechanics, a young woman with wet hair glances in a bathroom mirror. She wipes across the surface with a brush of the hand: the picture that shows this scene is mirrored along the center axis, alienated in a type of double projection. That is the starting point: Siegfried A. Fruhauf subjects his material to a series of complex transformations, overlapping and intertwining variously processed image layers, double reflections, and multiple exposures. Jürgen Gruber´s subtle soundtrack composed from intimated guitar feedback and electronic sound details gives the film an aura of smoldering aggression: the foundations of a thriller.
The final and most decisive reflection in Mirror Mechanics finally leads from the inside to the outside: toward gently rippling surfaces of water and a return to perfect symmetry, to a scene at the beach, in the scratched film reflection, an anonymous young woman with wet hair.

(Stefan Grissemann)

Translation: Lisa Rosenblatt


Like a mirror, film is an apparatus which produces images, and at the same time it permits us to perceive visual stimuli in places out of our eyes´reach. Mirror Mechanics tries to assume the cinema´s reflective function.

(Production note)

Orig. Title
Mirror Mechanics
Year
2005
Country
Austria
Duration
7 min 30 sec
Category
Avantgarde/Arts
Orig. Language
no dialogue
Downloads
Credits
Director
Siegfried A. Fruhauf
Concept & Realization
Siegfried A. Fruhauf
Sound
Jürgen Gruber
Supported by
BKA. Kunst
Available Formats
35 mm (Distribution Copy)
Aspect Ratio
1:1,85
Sound Format
Dolby Surround
Frame Rate
24 fps
Color Format
b/w
Digital File (prores, h264) (Distribution Copy)
Festivals (Selection)
2005
Villeurbanne - Festival du Film Court
Graz - Diagonale, Festival des österreichischen Films
Zürich - VIDEOEXperimental; Video & Film Festival
Hamburg - Int. Kurzfilm-Festival & No Budget
Grimstadt - Kortfilmfestivalen (Grand Prix SF Norge)
Odense - Int. Film Festival
Karlsruhe - Int. Medienkunstpreis
La Rochelle Int. Filmfestival
Edinburgh - International Film Festival
Vila do Conde - Festival Internacional de Curtas-Metragens
Linz - Crossing Europe Film Festival (Local Artists Award)
Uppsala - Int. Short Film Festival
Cork - Int. Film Festival
Montréal - Festival International du Nouveau Film et de la Video
Taipei - Golden Horse Film Festival
Austin - Cinetexas - Int. short film&video&new media festival
La Rochelle Int. Filmfestival
Utrecht - Impakt Festival
Cannes - Sémaine de la Critique
New York Shorts International Film Festival
Ludwigsburg - Filmfest
Sao Paolo - Short Film Festival
Paris - L'Etrange Festival
Seoul - EXis (Experimental Film- & Videofestival)
Madrid - Semana de Cine Experimental
Helsinki - Avanto Media Art Festival
Leeds - Int. FilmFestival
Jihlava Documentary Film Festival
2006
Saarbrücken - Filmfestival Max Ophüls Preis
Edinburgh - Kill your timid notion
Tampere - Film Festival
Paris - Némo Festival
Istanbul - Int. Short Film Festival
Osnabrück - EMAF - European Media Art Festival
Seoul - EXis (Experimental Film- & Videofestival)
Split - Festival of New Film and Video
Chicago Underground Film Festival
Wiesbaden - exground on screen
Gainsville (USA) - FLEX
Puchon/Korea - International Fantastic Film Festival
Zagreb - 25fps Film & Video Festival (Honorable Mention)
2007
Wroclaw - WRO-International Media Art Biennale