Creme 21

Creme 21
Creme 21

The stars are going haywire. A vision of heavenly bodies in wild disarray recurs in Eve Heller´s Creme 21. Assembled out of found moving images procured from old features and educational movies, Heller’s film begins and ends with a tunnel vision of outer space. From the suspended state of an astronaut we return to earth, fleeting shadows animate rooms, a slime-covered man is raised to his feet. Two eyes open hesitantly; we see how they begin to see. After the silent black and white prologue, sound and color are tuned in. Brief fragments of music and spoken commentary are strung together in the form of a cut-up, accompanied by the soft audio clicks of close to a thousand tape-spliced edit points – a symphony of shattered sentences and synthetic/exotic sound collages.

“Times” is the first word Heller isolates, “entropy” and “universe,” “energy” and “gravity” are additional central concepts. Cinema is used to break up pre-determined passages of time, interfering with established chronologies. The red, blue and violet glow of the film footage shows desert landscapes and circular shapes, a trampoline athlete, a glass beaker in which a spot of ink spreads discontinuously; a retro-toy robot stomps across houses of cards. One sees numbers, arrows, clockworks, seventies laboratory tools, psychedelic diagrams, surreal experimental designs in slow motion and (seemingly) real time. Heller interlinks nature and science and exposes the universe to the grasp of machines. Creme 21 concludes in interplanetary space, as a dream logical, cosmic composition, an avant-garde science fiction on the pleasures of analog cinema. “What is ‘now’? ” inquires a woman’s voice – to which the film coolly replies: “Now” is always simply that instant you just missed.

(Stefan Grissemann)


A voyage into the slippery nature of conceiving time. Educational films about the physics, measurement, and perception of time provide the material basis for a cinematic language cut-up. Creme 21 taps into the 26-frame discrepancy between sound and image inherent to 16mm-film in order to literally displace the logic of the original material and render a poetically expansive temporal contemplation.

(Viennale Catalog 2013)


What is now and what is time? Creme 21 consists of cut-ups of dated educational and scientific films sped up, thereby clouding the information and increasing density. The questions dealt with by the original films become the subject of a study into our perception of time.

(International Film Festival Rotterdam, 2014)

Orig. Title
Creme 21
Year
2013
Countries
Austria, USA
Duration
10 min
Director
Eve Heller
Category
Avantgarde/Arts
Orig. Language
english
Downloads
Creme 21 (Image)
Creme 21 (Image)
Credits
Director
Eve Heller
Concept & Realization
Eve Heller
Supported by
Land Niederösterreich, bm:ukk
Available Formats
DCP 2K (Distribution Copy)
Format of Picture
1:1,85
Format of Sound
stereo
Picture Frequency
25 fps
Format of Color
colour, b/w
Blu-ray (Distribution Copy)
Format of Picture
1:1,77
Format of Sound
stereo
Picture Frequency
25 fps
Format of Color
colour, b/w
Festivals (Selection)
2013
New York - Film Festival
Viennale - Vienna Int. Film Festival
2014
Rotterdam - Int. Filmfestival
Buenos Aires Festival Int. de Cine Independiente BAFICI
Toronto - IMAGES - Independent Film & Video Festival
Melbourne - Int. Film Festival
Edinburgh - International Film Festival
Wroclaw - New Horizons Festival
Vila do Conde - Festival Internacional de Curtas-Metragens
Jihlava Documentary Film Festival
Seoul - EXis (Experimental Film- & Videofestival)
München - UnderDox, Festival für Dokument und Experiment
Uppsala - Int. Short Film Festival
Sevilla - Festival del Cine Europeo
Milano - Filmmakers Festival
2015
Stuttgart - Filmwinter, Expanded Media Festival
Regensburg - Kurzfilmwoche
Weimar - back-up festival. new media in film