Griselda and Natalia

Parts of a boat can be seen, passersby walk through the image—no one notices the camera. Two women sit on white benches in the afternoon sun, their heads are turned toward one another; the one mirrors the posture of the other. Griselda Armstrong and Natalia Adam, clearly a generation apart, are the film’s protagonists. The older woman leads us with slow steps to her private spaces, where the chaotically touching arrangement of a cup collection or a still life of preserving jars, chairs, flowery patterns, and papers supplement the cinematic portraiture filming distinctive for Friedl vom Gröller. But also the individuality of a living environment does not make a personality tangible beyond preferences and habits. A book cover, probably shot in this setting, forms the leader to the black-and-white film: The Six Month Kingdom – Albania 1914. The author, Duncan Heaton-Armstrong, Irish captain in World War I, might be related to the film’s protagonists, although that can only be speculated on by virtue of the overlapping of the names. A final double portrait thus provides all that much more illustration of the two women’s relationship: the camera captures their facial features fragmentarily like in a photo booth; we suspect a quiet communication. In the end credits, the gap to the present day is bridged: “Cameron breaks from holiday for emergency Ukraine Talks”—a headline from the Londoner Standard 2014. The double portrait framed in this way touches us not only by virtue of the supposed authenticity and fragility of the protagonists. Through the leader and end credits, and the charged relationship of public and private spaces, the film illustrates how history captured in the media is also inscribed in individual destinies.

(Sarah Alberti)

Translation: Lisa Rosenblatt

Orig. Title
Griselda und Natalia
Year
2014
Country
Austria
Duration
3 min
Category
Avantgarde/Arts
Orig. Language
no dialogue
Downloads
Credits
Director
Friedl vom Gröller
Concept & Realization
Friedl vom Gröller
Actor/Actress
Natalia Adam, Griselda Armstrong
Supported by
Innovative Film Austria
Available Formats
16 mm (Distribution Copy)
Aspect Ratio
1:1,33
Sound Format
silent
Frame Rate
24 fps
Color Format
b/w
Festivals (Selection)
2015
Graz - Diagonale, Festival des österreichischen Films